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Cin. 19. Australia

I'm a writer.

Expect poop jokes

cassandraclare:

A take, of course, on  How To Suppress Women’s Writing by Joanna Russ. And not set off by anything in particular, just an aggregate of comments and a good friend being treated terribly for posting some of her fiction for free online.

She tweets and tumblrs so she must not be working.

She never tweets and tumblrs so she must she think she is too good for her fans.
Her books don’t sell so she must be a failure.
Her books do sell so she must write for the money.
She writes too much of one series. A good writer would write books set in lots of different universes. 
She should write more of the same series because that is what I like. Hope she doesn’t think I will buy her new stuff.
She talks about and answers questions about her books, why won’t she leave her fandom alone? Why is she trying to impose her views on them?
She doesn’t answer questions from her fans or listen to what they say. She must not care about them.
She sells her work for money so she must just want money.
She posted her work for free so it doesn’t really belong to her.
I like her main female character so she must be a Mary Sue that the author based on herself.
I hate her main female character so she needs to learn how to write women.
I wrote her a nasty message and she didn’t answer so she is a coward.
I wrote her a nasty message and she did answer so she is a bully.
She contradicted me when I accused her of something so I know she did it, otherwise she wouldn’t be so defensive.
She didn’t contradict me when I accused her of something so I know she did it, otherwise she would have defended herself.
She wrote it but she tried too hard to be literary so I couldn’t get into it.
She wrote it and I really enjoyed it but because of the subject matter I know it’s trash, really.

bummybumbum:

melricho9:

topming:

Nicki Minaj - Anaconda @ Fashion Rocks 2014 [HD]

(no CBS logo, no muting when she rapped “i’m on some dumb….”)

Yaaaas
bummybumbum

yesss

11 hours ago3,377 plays

Okay, okay, I’m going to tell you what Hermione sees in Ron.

A trio is a balancing act, right? They’re equalizers of each other. Harry’s like the action, Hermione’s the brains, Ron’s the heart. Hermione has been assassinated in these movies, and I mean that genuinely—by giving her every single positive character trait that Ron has, they have assassinated her character in the movies. She’s been harmed by being made to be less human, because everything good Ron has, she’s been given.

So, for instance: “If you want to kill Harry, you’re going to have to kill me too”—RON, leg is broken, he’s in pain, gets up and stands in front of Harry and says this. Who gets that line in the movie? Hermione.

“Fear of a name increases the fear of the thing itself.” Hermione doesn’t say Voldemort’s name until well into the books—that’s Dumbledore’s line. When does Hermione say it in the movies? Beginning of Movie 2.

When the Devil’s Snare is curling itself around everybody, Hermione panics, and Ron is the one who keeps his head and says “Are you a witch or not?” In the movie, everybody else panics and Hermione keeps her head and does the biggest, brightest flare of sunlight spell there ever was.

So, Hermione—all her flaws were shaved away in the films. And that sounds like you’re making a kick-ass, amazing character, and what you’re doing is dehumanizing her. And it pisses me off. It really does.

In the books, they balance each other out, because where Hermione gets frazzled and maybe her rationality overtakes some of her instinct, Ron has that to back it up; Ron has a kind of emotional grounding that can keep Hermione’s hyper-rationalness in check. Sometimes Hermione’s super-logical nature grates Harry and bothers him, and isn’t the thing he needs even if it’s the right thing, like when she says “You have a saving people thing.” That is the thing that Harry needed to hear, she’s a hundred percent right, but the way she does it is wrong. That’s the classic “she’s super logical, she’s super brilliant, but she doesn’t know how to handle people emotionally,” at least Harry.

So in the books they are this balanced group, and in the movies, in the movies—hell, not even Harry is good enough for Hermione in the movies. No one’s good enough for Hermione in the movies—God isn’t good enough for Hermione in the movies! Hermione is everybody’s everything in the movies.

Harry’s idea to jump on the dragon in the books, who gets it in the movies? Hermione, who hates to fly. Hermione, who overcomes her withering fear of flying to take over Harry’s big idea to get out of the—like, why does Hermione get all these moments?

[John: Because we need to market the movie to girls.]

I think girls like the books, period. And like the Hermione in the books, and like the Hermione in the books just fine before Hollywood made her idealized and perfect. And if they would have trusted that, they would have been just fine.

Would the movies have been bad if she was as awesome as she was in the books, and as human as she was in the books? Would the movies get worse?

She IS a strong girl character. This is the thing that pisses me off. They are equating “strong” with superhuman. To me, the Hermione in the book is twelve times stronger than the completely unreachable ideal of Hermione in the movies. Give me the Hermione in the book who’s human and has flaws any single day of the week.

Here’s a classic example: When Snape in the first book yells at Hermione for being an insufferable know-it-all, do you want to know what Ron says in the book? “Well, you’re asking the questions, and she has to answer. Why ask if you don’t want to be told?” What does he say in the movie? “He’s got a point, you know.” Ron? Would never do that. Would NEVER do that, even before he liked Hermione. Ron would never do that.

behind-a-wall-of-illusion:

sproutingflower:

female actors getting pissed off at sexist interview questions is my new favourite thing

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tina and amy’s faces omg

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and cate blanchett calling out the cameraman on the full body pan 

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loveee

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scarlett is so tired of this shit


Carrie-Anne Moss on the set of The Matrix directed by Andy and Lana Wachowski, 1999

Carrie-Anne Moss on the set of The Matrix directed by Andy and Lana Wachowski, 1999

#STEVEN MOFFAT